The Big Blue Sky: Twenty-two

It was opulence of the sort Molly had never experienced. Set against the city lights on the far shore, the tall and sleek Marmara hotel shone like some modern palace. She paused, climbing from the little red Mercedes taxi, her expression reflecting that awesome first impression.

She was dressed like an early Eighties Punk rocker, in a faded British flag tee-shirt, frilly lace skirt, striped leggings and thrash boots. Her air was purple and neon-green molded and formed with copious amounts of styling gel by an "artist" at By Retro. Molly felt light and young, finding it impossible to contain a smile. Doug climbed out behind her. He was dressed in the same Soviet sailor’s outfit he’d ogled earlier. Molly couldn’t help but laugh as they followed a parade of party goers wearing all manner of absurd costumes.

“Little ironic, don’t you think?’ she remarked. Doormen in long black coats with polished gold buttons held the door, nodding politely.

“What’s that?’

“Didn’t you say we were here to see the future?”

“Indeed.”

“Looking like a couple of refugees from the Eighties.”
It was like a dream inside. Stunning and colorfully embroidered whirling Dervish outfits were framed about the large and elegantly decorated lobby. Sturdy white-marble columns were cooled by moss green oriental carpets and maroon furniture, all beneath a monstrous chandelier.

Twenty stories above Istanbul’s streets the elevator doors opened to a party room so magnificent, so surreal that Molly gasped in amazement, placing a hand over her madly beating heart. Doug, beside her, smiled with delight at her reaction.

“This is amazing,” was all she could think to say.

The servers were all dressed as Charlie Chaplin’s little hobo, in bowler hats, tuxedo jackets, baggy trousers and tramp shoes. Little black mustaches were smudged beneath their noses. Balancing trays crowded with champagne-filled flute glasses on finger tips, they move deftly among the crowd. Molly laughed at the wild and absurd scene before her. Darth Vader had an arm around a harem girl, while two clowns argued finance with Austin Powers and a samurai warrior. At the bar a zombie flirted with a nun. There were cowboys, Indians, Princes, princesses (female and male) hippies, a captain Kirk, a short and pudgy Mister Spock and half a dozen Klingons. Mixed among them were numerous others wearing ornate carnival masks. They wore formal dress and seemed content to keep their identity a mystery.

There was a sign at the entrance. Molly studied it curiously a moment. The words written across the beautiful print of a Fifteenth century Bosnian Bridge, built during the Ottoman, era read:

KICK OFF AND COSTUME BALL
Sponsored by
SHOSA INDUSTRIES:
SECURITY AND DEFENSE CONTRACTORS
“WE’RE THE GUYS RIDING IN WITH THE BIG WHITE HATS…”
Umberto Shosa, Director and Chief Executive Officer

“So who is Umberto S-osa?” Molly asked.

“Sh-osa,” he politely corrected her, pointing to an accent mark above the “s.” He drew her attention to a small man in a perfectly tailored Italian tuxedo making rounds through the crowd. An assistant, two stunning Turkish starlets and a massive Croatian bodyguard surrounded the man. “He’s a rising star in the International arms trade.”

“Legal or illegal?”

“The Hague wanted him for the massacre of a Serbian village during the Civil War. By the time the warrants came down he’d already amassed a fortune dealing arms in Africa. A few well placed bribes, a good PR campaign, a UN official here a couple parliamentary ministers there…13 years ago he was looting villages, now he’s worth an estimated three and a half billion.”

“A lot of money in war.”

“All cash business, if you can separate conscience from the bloody crop your product yields. Do that and you can have all this guilt free.”

A waiter passed. She was a small fair-skinned teenager. Her long blond hair was stuffed almost comically into the bowler hat, and held firm by a matrix of hairpins. The square little mustache under her nose was partially smeared. Doug watched her moving through the crowd and was reminded of his eldest daughter, Megan. He waved to her, scooped away two glasses of pale bubbling champagne and replaced them with a ten Euro note.

“Thank you,” she said in thickly accented English, before disappearing through the crowd before Doug could reply.

He handed her a glass. They touched the rims together. As they did she looked up into his eyes, finding that they so beautifully reflected the lights of the party.

“What are we toasting to?’ she asked, not taking her eyes from his.

“To peace,” he replied, looking away for fear of being swept away by her physical beauty.

Molly looked over at Shosa. “I’ve worked mob cases convicting hit men with better ethics and morality.”

Doug took a long sip of champagne, and suddenly felt guilty for it, knowing that this was all paid for in blood and misery and violence. “If you are wealthy enough and connected enough, there are virtually no laws against waging and supporting warfare around the globe.”

“So what is this party all about?” asked Molly.

“Pure theater,” he said. “But if you were to check passports in this room, I bet you’d find someone representing a side in almost every conflict worldwide, and probably a few characters representing more than one side.”

A man approached, smiling awkwardly, and dressed like an Ottoman sultan, in a gold jacket, proud red turban, white flared trousers that came to the knee and the caricature slippers turned up at the toe. There was something Molly didn't distrust about the man, not in a criminal way, but in a sort of arrogance and cynicism about humanity men deep within the intelligence apparatus of each government holdn It was the consequence of working in the murky depths between the black and white letters of law, and the illusions of apparent morality.